Helmed by Bristol sound co-founder Geoff Barrow, this sharp-edged though undernourished first film turns a sceptical eye on 90s rave culture. Venal pillhead David (the actor) initially steals from an unconscious dealer, then in a later recollection tries to burgle his own parents. Before you can say, he's overturned in the remains of his car in a woodland – and subject to the wrathful eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Declining to free David, with impatience toward city dwellers, he is broken Britain personified: “You’re one of those noisy cunts from up on the heath.”
A Shaky Start and Darkly Funny Duel
The film begins uncertainly, spending too long on pedantically chronicling David’s attempt to extricate himself from his seatbelt, while awkwardly transitioning into past scenes of his everyday life. The central theme – that the ecstasy generation were mainly focused on number one – is firmly made. But these vignettes are insufficiently developed to properly prime us for what to expect when the Poacher arrives, enraged after David kills his dog. Nevertheless, a grimly amusing standoff takes hold – David eager to get away; the Poacher denying his container of cider, determined to dousing him instead in resentful talk. Williamson, exuding heavy threat in the role, is reminiscent of Michael Smiley.
Stylish Imagery and Music Video Vibe
There is only one key story turn, but it leads to a hilariously staged chaotic run on the forest trails that veers toward rural terror. Filmmaker John Minton at last unleashes with his showy imagery: where he was hunkered down doing artful shots of bugs in headlights in the early stages, he now goes all out with the full lysergic grand display, soundtracked to a wild organ version of Ravel’s Boléro. The movie resembles an extended promo than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into successfully graduating from the Brit music promo scene.
The film releases in UK and Irish theaters from November 17.
